Thanks to Bananas for Books for inviting me to write a guest
post today! Yesterday's stop at Tales
of the Ravenous Reader had me talking about some of the themes and
questions ghost stories explore. Today I'll examine ghost stories from a more
writerly perspective and discuss some of the challenges you run into when you're
writing a novel where the main character starts out dead.
Attend the Convention
From Dickens's A
Christmas Carol to Gaiman's The
Graveyard Book to the spooky stories your camp counselor told around the
fire, the ghost story has a long literary history, and with this history comes
expectations and conventions. For example, if I were writing a vampire story,
my readers are going to expect that my vampires are immortal, that they drink people's
blood through their pointy teeth, that this blood-drinking business makes them
morally dubious, and that sunlight hurts or kills them. These are the
conventions (or "rules") of a vampire story.
Now, this is make believe, so I'm free to play around with
some of these conventions (shine on, you crazy Cullens), and if I do it right,
this will make my story fresh and distinctive. Besides, it's tempting to play
fast and loose with the conventions that hinder your storytelling. For example,
what do you do if you need your vampire in a daytime scene? Joss Whedon has Buffy the Vampire Slayer's Spike running
around town in a smoking blanket, and the Blade
vampires can take an afternoon stroll as long as they apply sunscreen.
But a writer has to be judicious about how many conventions
she changes. For example, if my vampire lives off of banana smoothies, which he
pours in his ear, is he still a recognizable vampire? (Actually some vampire folklore
is almost this wacky. Google it.) And isn't part of the fun of a convention
working somewhat within its boundaries? Isn't that what creates that thrill of
familiarity for the reader?
Okay, so there aren't any vampires in ABSENT. Not a one. Not
a snaggle-toothed, six-pack-sporting werewolf. No shuffling zombies. There are ghost frogs (more on that later).
But mostly, there are just ghosts. So let's review the conventions of the
ghost, and then I'll discuss the opportunities and challenges these presented
as a writer.
Location, Location,
Location
The traditional ghost haunts one location, usually the
location of its death. Think haunted house. This convention can present challenges
for a writer who wants a wide-ranging field of action and a far-reaching threat
for haunted human characters. But for me, the ghosts' limited location was a
boon.
First of all, I've always loved contained space
stories—boarding schools, boats at sea, secluded houses—because of the drama
that's created by characters constantly bumping into each other. Second, my
story was about the ghosts, not the haunted humans, and so the more
restrictions and challenges I could give my characters, the more tension my
story would have. For example, if Paige (my main ghost) could go anywhere she
liked, she travel the world as an observer; death wouldn't be so bad.
So I decided that my ghosts would follow the convention of
being trapped at the location of their deaths. Essentially, they died at high
school, so they can't leave the school grounds. I extended their range to the
property boundary because I wanted the option of outdoor scenes for both
setting reasons and for practical ones—I needed a variety of believable ways
teenagers could die at school, and the outdoors lengthened my list.
Since of course my ghosts would try to leave the school (who
wouldn't?), I had to figure out what would happen when they did. I decided that
if a ghost crossed the school property line, it would find itself back at the
spot of its death. I felt this spoke to the emotional core of the location
convention: The ghost is stuck in the moment of its death.
Everyone Dies
When you decide on a rule for the world of your story, it
sometimes raises questions of logic and believability that force you to create
other rules. For example, by deciding that if a person dies at this high
school, then s/he remains there as a ghost, I had to account for everyone in
the past who had died at the high school. Fortunately, my story was set at a
school, not a hospital or battleground, so the body-count would be relatively
low. But I thought there would be a lot of dead frogs, chloroformed for Biology
class dissection, poor things. I have ghost frogs hopping around the school as
a darkly humorous setting detail. (The "rule" for this aspect of the
world is actually a little more complicated then I'm explaining here. Forgive
my coyness. I don't want to spoil the story.)
I See Dead People
Many ghost stories will have one character (often the main
character) with special sensitivity to the ghosts. She is the one most likely
to sense or see them, though her reports are often doubted by the rest of the
group.
Here again, I followed the convention, but because my main
group of characters are all ghosts, the supernaturally sensitive character
appears later in the story than she otherwise might. Rather than being doubted
and scorned, her ability is embraced and causes ripples of reaction through the
ghost world.
Let's pause for now, and I'll continue this post later in
the blog tour. Tomorrow, visit Actin'
Up with Books for a chance to win a free copy of ABSENT, and then the day
after tomorrow, I'll finish my thoughts about working with ghost conventions on
YA Book Shelf.
About Absent
When seventeen-year-old Paige dies in a freak fall from the roof during Physics class, her spirit is bound to the grounds of her high school. At least she has company: her fellow ghosts Evan and Brooke, who also died there. But when Paige hears the rumor that her death wasn’t an accident—that she supposedly jumped on purpose—she can’t bear it. Then Paige discovers something amazing. She can possess living people when they think of her, and she can make them do almost anything. Maybe, just maybe, she can get to the most popular girl in school and stop the rumors once and for all.
Great post-I enjoyed reading Absent and now I'm glad I got this additional background about the world. Ghost stories tend to be my favorite paranormals and I think it might partly because of the contained nature of a lot of them (I also have a weakness for boarding school stories!)
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